When writing creative pieces, writers are destined to run
into problems, both with their research and their writing. However, in creative
nonfiction, if these issues are not overcome, it can be devastating to a writer’s
credibility. Nonfiction is about real events and can, when presented inaccurately,
offend or irritate readers and publishers alike, such as James Frey’s scandal
about his false memoir, A Million Little
Pieces. Therefore, I must highlight the issues I am having,
in order to devise ways to overcome them.
Lack Of Dialogue
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| Garfield might work without dialogue John Keats? Not so much. |
The main issue I am having with my piece is the lack of
dialogue. Dialogue is a key component to the fictionalisation of any narrative. Yet Keats’ letters only depict what he did in Winchester; he did not write down any conversations verbatim. As well as this, the snippets that I have discovered so
far in my research are not enough to carry an entire scene.
Theodore A. Rees Cheney states, in his book Writing Creative Nonfiction, “You must not let the desire to write interestingly…make you select those conversations that serve drama over truth.” Doing this may lead to your narrative losing credibility with your audience, so I must find a way to work around this issue, such as utilising quotes from his letters in a manner which supplements direct speech, or expanding my research to see what I can discover.
Theodore A. Rees Cheney states, in his book Writing Creative Nonfiction, “You must not let the desire to write interestingly…make you select those conversations that serve drama over truth.” Doing this may lead to your narrative losing credibility with your audience, so I must find a way to work around this issue, such as utilising quotes from his letters in a manner which supplements direct speech, or expanding my research to see what I can discover.
Too Much Information
Another problem I have is the overabundance
of information about Keats that is available to me as a writer. Googling John
Keats generates over two million hits, and there are numerous books from which
I am drawing information from. However, the credibility and accuracy of these
documents – especially the online sources– is not entirely secure. “Information
is the goal of the nonfiction writer” Gutkind points out, and as such I need to
make sure that my sources are reliable. Presenting wrong information,
especially when it is dramatized, could mislead my readers factually, as well
as emotionally. To avoid this, I must investigate my sources to ensure that my
information is correct, and will not offend or dissuade my readers from my
piece.


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